In the years immediately following Napoleon’s defeat, French thinkers in all fields set their minds to the problem of how to recover from the long upheavals that had been set into motion by the French Revolution. Many challenged the Enlightenment’s emphasis on mechanics and questioned the rising power of machines, seeking a return to the organic unity of an earlier age and triggering the artistic and philosophical movement of romanticism. Previous scholars have viewed romanticism and industrialization in opposition, but in this groundbreaking volume John Tresch reveals how thoroughly entwined science and the arts were in early nineteenth-century France and how they worked together to unite a fractured society.

Focusing on a set of celebrated technologies, including steam engines, electromagnetic and geophysical instruments, early photography, and mass-scale printing, Tresch looks at how new conceptions of energy, instrumentality, and association fueled such diverse developments as fantastic literature, popular astronomy, grand opera, positivism, utopian socialism, and the Revolution of 1848. He shows that those who attempted to fuse organicism and mechanism in various ways, including Alexander von Humboldt and Auguste Comte, charted a road not taken that resonates today.

Essential reading for historians of science, intellectual and cultural historians of Europe, and literary and art historians, The Romantic Machine is poised to profoundly alter our understanding of the scientific and cultural landscape of the early nineteenth century.

This book examines how the moral sentiment of gratitude, as expressed in the image of the suffering soldier, transformed the memory of the Revolutionary War, political culture, and public policy in the early American republic. This popular depiction removed the stigma of vice and treason from the Continental Army, legitimized the army as a republican institution, and credited it with securing independence. By glorifying the now aged, impoverished, and infirm Continental soldiers as republican warriors, the image also accentuated the nation's guilt for its ingratitude toward the veterans. Using Peterborough, New Hampshire, as a case study, John P. Resch shows that the power of the suffering soldier image lay partly in its reflection of reality. The citizen-soldiers from Peterborough who fought in the Continental Army did indeed represent a cross-section of the town, and they experienced greater postwar deprivation and alienation than their peers who had not gone to war. Personal and political sympathy toward the veterans eventually led to the passage of the Revolutionary War Pension Act in 1818. The War Department further validated the soldiers' claims and public gratitude through its liberal administration of the pension program, which attracted more than 20,000 applications.